Monographs
Angela Carter and Surrealism: ‘A Feminist Libertarian Aesthetic’. 2016. London and New York: Routledge. Reviewed in The Year’s Work in English Studies (2019), Contemporary Women’s Writing (2018), Gothic Studies (2018), Irish Gothic Journal (2018) and ASAP/Journal (2017).
Paradoxical Pleasures: Female Submission and Popular Culture. London: Bloomsbury; forthcoming.
Edited books
Surrealist Women’s Writing: A Critical Exploration. Manchester: Manchester University Press; forthcoming.
A History of the Surrealist Novel. Cambridge: Cambridge University Press; forthcoming
Peer-reviewed articles and book chapters
‘Identity Convulsed: Leonora Carrington’s The House of Fear and The Oval Lady’. Surrealist Women’s Writing: A Critical Exploration, ed. Anna Watz. Manchester: Manchester University Press; forthcoming.
‘Introduction’. Surrealist Women’s Writing: A Critical Exploration, ed. Anna Watz. Manchester: Manchester University Press; forthcoming.
‘Surrealism and écriture féminine’. Cambridge Critical Concepts: Surrealism, ed. Natalya Lusty. Cambridge: Cambridge University Press; forthcoming.
‘Leonora Carrington’s Poetics of Listening’. Modernist Intimacies, ed. Elsa Högberg. Edinburgh: Edinburgh University Press; forthcoming.
“‘Scattered and Recomposed”: Poststructuralist Play in The Passion of New Eve’. Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play, ed. Sarah Gamble, Jennifer Gustar, and Caleb Sivyer. Brighton: Sussex Academic Press; forthcoming.
‘Feminisms’. 2019. The Year’s Work in Critical and Cultural Theory, 27.
‘Women’s Writing, écriture féminine, and femellitude: A Conversation with Xavière Gauthier’. 2019. Contemporary Women’s Writing, 13:1. 1–15.
‘Feminisms’. 2018. The Year’s Work in Critical and Cultural Theory, 26. 368–387.
‘The Stone Door and Poststructuralist Feminism’. 2017. Leonora Carrington and the International Avant-Garde, ed. Jonathan P. Eburne and Catriona McAra. Manchester: Manchester University Press. 90–104.
[In Swedish] ‘Njutningens problematik: postfeminism, normativitet och “mommy porn”’ (‘The Problem of Pleasure: Postfeminism, Normativity, and “Mommy Porn”’). 2014. Edda: Nordisk tidsskrift for litteraturforskning 101:4. 292–305.
‘“Look! Hands Off!”: The Performance of Female Exhibitionism in Angela Carter’s The Infernal Desire Machines of Doctor Hoffman and Nights at the Circus’. 2013. Naked Exhibitionism: Gendered Performance and Public Exposure, ed. Claire Nally and Angela Smith. London: I. B. Tauris. 41–61.
‘The Surrealist Uncanny in Shadow Dance’. 2012. Angela Carter: New Critical Readings, ed. Sonya Andermahr and Lawrence Phillips. London: Bloomsbury. 117–129.
‘Angela Carter and Xavière Gauthier’s Surréalisme et sexualité’. 2010. Contemporary Women’s Writing 4:2. 100–113.
‘Convulsive Beauty and Compulsive Desire: The Surrealist Pattern of Shadow Dance’. 2006. Revisiting Angela Carter: Texts, Contexts, Intertexts, ed. Rebecca Munford. Basingstoke: Palgrave. 21–41.
