Monograph
Angela Carter and Surrealism: ‘A Feminist Libertarian Aesthetic’. 2016. London and New York: Routledge. Reviewed in The Year’s Work in English Studies (2019), Contemporary Women’s Writing (2018), Gothic Studies (2018), Irish Gothic Journal (2018) and ASAP/Journal (2017).
Edited books
Surrealist Women’s Writing: A Critical Exploration. 2020. Manchester: Manchester University Press. Reviewed in French Studies (2021).
A History of the Surrealist Novel. Cambridge: Cambridge University Press; forthcoming 2022.
Peer-reviewed articles and book chapters
‘Maternities: Dorothea Tanning’s Aesthetics of Touch’.
Art History (forthcoming; accepted for publication).
‘Feminist Encounters with Surrealism: Revisiting the Formative Critiques’.
The Routledge Companion to Surrealism, ed. Kirsten Strom. London and New York: Routledge; forthcoming.
‘Introduction’.
A History of the Surrealist Novel, ed. Anna Watz. Cambridge: Cambridge University Press; forthcoming.
‘The Mother Figure in the Surrealist Novel’.
A History of the Surrealist Novel, ed. Anna Watz. Cambridge: Cambridge University Press; forthcoming.
‘Surrealism and écriture féminine’. 2021.
Cambridge Critical Concepts: Surrealism, ed. Natalya Lusty. Cambridge: Cambridge University Press. 363–379.
‘Leonora Carrington’s Poetics of Listening’. 2021.
Modernist Intimacies, ed. Elsa Högberg. Edinburgh: Edinburgh University Press. 164–180.
“‘Scattered and Recomposed”: Poststructuralist Play in
The Passion of New Eve’. 2021.
Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play, ed. Sarah Gamble, Jennifer Gustar, and Caleb Sivyer. Brighton: Sussex Academic Press. 139–156.
‘Feminisms’. 2020.
The Year’s Work in Critical and Cultural Theory, 28: 311–328.
‘Introduction’. 2020.
Surrealist Women’s Writing: A Critical Exploration, ed. Anna Watz. Manchester: Manchester University Press. 1–16.
‘Identity Convulsed: Leonora Carrington’s
The House of Fear and
The Oval Lady’. 2020.
Surrealist Women’s Writing: A Critical Exploration, ed. Anna Watz. Manchester: Manchester University Press. 42–67.
‘Feminisms’. 2019.
The Year’s Work in Critical and Cultural Theory, 27: 201–219.
‘Women’s Writing,
écriture féminine, and
femellitude: A Conversation with Xavière Gauthier’. 2019.
Contemporary Women’s Writing, 13:1. 1–15.
‘Feminisms’. 2018.
The Year’s Work in Critical and Cultural Theory, 26: 368–387.
‘
The Stone Door and Poststructuralist Feminism’. 2017.
Leonora Carrington and the International Avant-Garde, ed. Jonathan P. Eburne and Catriona McAra. Manchester: Manchester University Press. 90–104.
[In Swedish] ‘Njutningens problematik: postfeminism, normativitet och “mommy porn”’ (‘The Problem of Pleasure: Postfeminism, Normativity, and “Mommy Porn”’). 2014.
Edda: Nordisk tidsskrift for litteraturforskning101:4. 292–305.
“‘Look! Hands Off!”: The Performance of Female Exhibitionism in Angela Carter’s
The Infernal Desire Machines of Doctor Hoffman and
Nights at the Circus’. 2013.
Naked Exhibitionism: Gendered Performance and Public Exposure, ed. Claire Nally and Angela Smith. London: I. B. Tauris. 41–61.
‘The Surrealist Uncanny in
Shadow Dance’. 2012.
Angela Carter: New Critical Readings, ed. Sonya Andermahr and Lawrence Phillips. London: Bloomsbury. 117–129.
‘Angela Carter and Xavière Gauthier’s
Surréalisme et sexualité’. 2010.
Contemporary Women’s Writing 4:2. 100–113.
‘Convulsive Beauty and Compulsive Desire: The Surrealist Pattern of
Shadow Dance’. 2006.
Revisiting Angela Carter: Texts, Contexts, Intertexts, ed. Rebecca Munford. Basingstoke: Palgrave. 21–41.
