João Florêncio

Böcker

• Bareback Porn, Porous Masculinities, Queer Futures: The Ethics of Becoming-Pig. London: Routledge, 2020.
  
  

Tidskriftsartiklar

• “Drugs, Techno and the Ecstasy of Queer Bodies,” The Sociological Review 71, no. 4 (2023): 861–880. DOI: 10.1177/00380261231174970.
• “Introduction to a special Cultural Commons section on It’s a Sin,” co-written with Gary Needham. European Journal of Cultural Studies 26, no. 1 (2023): 80–84. DOI: https://doi.org/10.1177/13675494221106493.
• “The Care of the Flesh.” Journal of Bodies, Sexualities and Masculinities 3, no. 2 (2022): 133–139.
• “Sexing the Archive: Gay Porn and Subcultural Histories,” co-written with Ben Miller. Radical History Review 142 (2022):133–141.
• “Chemsex Cultures: Subcultural Reproduction and Queer Survival.” Sexualities, 2021. DOI: 10.1177/1363460720986922.
• “Writing Theory during a Pandemic.” Identities: Journal for Politics, Gender and Culture 17, no. 1 (2020): 32–34.
• “Antiretroviral Time: Gay Sex, Pornography, and Temporality ‘post-Crisis’.” Somatechnics 10, no.2 (2020): 195–214.
• “Breeding futures: masculinity and the ethics of CUMmunion in Treasure Island Media’s Viral Loads.” Porn Studies 5, no. 3 (2018): 271–285.
• “Thicker States.” GPS: Global Performance Studies, Vol. 1, No. 1 (2017). Co-written with Felipe Cervera, Shawn Chua, Eero Laine, and Evelyn Wan.
• “Enmeshed Bodies, Impossible Touch: the Object-Oriented World of Pina Bausch’s Café Müller.” Performance Research, Vol. 20, No. 2 (2015): 53–59.
• “Encountering Worlds: Performance in/as Philosophy in the Ecological Age.” Performance Philosophy, No. 1 (2015): 195–213.
• “Dancing to the Rhythm of a Geiger Counter: Modern(ist) Narcissism and the Anthropocenic Shock.” Identities: Journal of Politics, Gender, and Culture, Vol. 10, No. 1–2 (2013): 111–122.

Essäer i antologier och samlingsverk

• ‘C’est Votre Choix’: Pleasure, Safety and Risk in Projet X.” In Revisiting HIV/AIDS in French Culture: Raw Matters, edited by Loïc Bourdeau and V. Hunter Capps, 93–114. Lanham: Lexington Books, 2022.
• “The Theatre of Posthuman Immunity.” In The Routledge Companion to Theatre and Politics, edited by Peter Eckersall and Helen Grehan, 42–45. London: Routledge, 2019.
• “Porosity/The Body.” In Venice Performance Art Week III: Fragile Body—Material Body, edited by Andrea Pagnes and Verena Stenke, 53–59. Venice: VestAndPage Press, 2017.
• “Evoking the Strange Within: Performativity, Metaphor, and Translocal Knowledge in Derek Jarman’s Blue.” In Queer Dramaturgies: International Perspectives on Where Performance Leads Queer, edited by Alyson Campbell and Stephen Farrier, 178–191. Basingstoke and New York: Palgrave Macmillan, 2015.
• “Fucked by Strangers/Baisé par des Étrangers.” In Ghost Nature, edited by Caroline Picard, 145–164. Chicago: Green Lantern Press for La Box/École Nationale Supérieure d’Art de Bourges, 2014.
• “Staging the World: A Theatrics of Objects.” In Field Static, edited by Devin King and Caroline Picard, 7–14. Chicago: Holon Press, 2012.
• “Of Lights, Flesh, Glitter, and Soil: Notes Towards a Complex Ecology of Live Art.” In Space (Re)Solutions: Interventions and Research in Visual Culture, edited by Peter
• Mörtenbock and Helge Mooshammer, 73-85. Bielefeld: Transcript Verlag, 2011.